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| You are about to enter the site. Look around, lose your way, find it again - and lose it again. If you're not the playful type, go directly to The Ledge Files (HTML), where the world is more orderly. Under the FAQ button (in Flash) are the most frequently-asked-questions to date. If you have a new question, send it to info@the-ledge.com and we'll try and help. In the meantime, we'll keep on reading and typing and translating. Titles in brackets [ ]'s are, as yet, unavailable in English. conversations: (Mad) Doctors in Fiction Focus I Wilhelm Schmid The Factory Achmat Dangor The Operating Room 'That Time' Stacey's Garret Kathryn Harrison The Getaway Room John Haskell The Hospital books: 'The Balkan Trilogy' Olivia Manning 'The Cairo Trilogy' Naguib Mahfouz 'The Gormenghast Trilogy' Mervyn Peake 'The Regeneration Trilogy' Pat Barker the ledge info@the-ledge.com The Ledge is an independent platform for international literature. At the heart of the site, to get you in the mood, is a series of interviews with authors, translators and literary critics. There is also a built-in, ever-expanding reading guide and a listing of literary events. Items for the Literary News section (authors, books, events) should be sent to news@the-ledge.com. The Ledge Westerstraat 8 8011 CE Zwolle The Netherlands info@the-ledge.com editor-in-chief Stacey Knecht website design Maurits de Bruijn bookwebs, reading guide Pieter Steinz technical expertise Caspar van Wijk more than paperwork Roger Teeuwen think tank Teun van Wijk thanks to Jan van Wijk, Martin de Haan, Lara Bresser, Odile Bol, Péter Zilahy, Wendy Bloemheuvel, Carlien Blok, Remco Volkers, Francien Schuursma, Ruth Bergmans, Susan Massotty, Anne Kramer, Eva Bouman, Ad van Rijsewijk, Fran van den Bogaert, Elsbeth Louis, Vanessa van Hofwegen, Louise Koopman, Mirjam van Hengel, Joost Nijsen, Elaine Oey, Alphons Peters, Suzanne Ermers, Godelieve Linders, Joni Zwart, Roland Fagel, Anton Scheepstra, Job Lisman, May Meurs, Kees de Bakker, Alex Manassen, Sibo & Mabel, and Miss T. special thanks to Digitale Pioniers Prins Bernhard Cultuurfonds especially special thanks to M&D |
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